Re-visiting Musine Kokalari: a lost story of defiance in the face of political oppression

Agata Fijalkowski

 This article was originally published on The Conversation. Read the original article.

My current project about imagery and the law was sparked by a photograph of Musine Kokalari, an Albanian writer and political dissident. Kokalari was imprisoned and suffered the humiliation of a public show trial under a despotic regime which murdered her brothers and kept her under surveillance and in exile most of her life. Her brave story can now be told after secret police files were released that revealed details about a shocking miscarriage of justice which deprived the world of a great writer.

Kokalari was Albania’s first female writer of note from the pre-communist period. She was born in 1917 in Adana, Turkey, where from an early age the young Musine showed a passion for literature and national folklore. The Kokalari family were at the centre of literary and political activity in the area.

They returned to their native Gjirokastra in southern Albania in 1920, and  in 1938 Kokalari left to embark on her university studies in literature at La Sapienza University, Rome. She kept a diary, My University Life, which was eventually published in 2016. In 1941, she published her first book, called As My Grandma Says,  about the daily struggles of a Gjirokastran woman living in a deeply patriarchal society and which can be seen as an early feminist text.

The writer and political dissident

It was during her studies in Rome that Kokalari joined anti-fascist and anti-communist movements. She continued her political activities upon her return to Albania in 1942 where she co-founded the Albanian Social Democratic Party. Her brother’s bookshop

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Musine Kokalari. Linda Kokalari/Musine Kokalari Institute, Author provided

became a hub of intellectual activity. As a result the family was kept under close surveillance by the communist authorities (represented by the National Liberation Movement/National Liberation Front). Two of her brothers, Vesim and Muntaz, were executed by the state for their political activities. Kokalari herself was detained and arrested several times in 1945 after openly expressing her views against totalitarianism.

She was then involved in the Democratic Coalition, a political movement that supported the postponement of elections, and called for multi-party elections. The writer hoped that representatives from the United Kingdom and the United States would monitor the elections. But all 37 members of the coalition were arrested and deemed traitors of the Albanian nation. Neither the US nor the UK intervened.

Hair torn from her head

In 1946, following these arrests, Kokalari stood before the military court in the Albanian capital, Tirana. She was threatened, intimidated and coerced. Archival memos refer to her hair being torn out of her head by bystanders. Her trial was transmitted live via loud speakers to the crowds outside. Her stoic stance is illustrated in a photograph taken by the Albanian Telegraphic Agency. In defiance she wore a mourning veil in memory of her executed brothers. Her powerful image made the front page of the broadsheets in Albania two days running.

This trial was the second in a run of six trials organised by the authorities in that period

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Kokalari with her brother Vesim. Linda Kokalari/Musine Kokalari Institute., Author provided

that effectively eliminated “enemies of the state”. It was dubbed the “political dissidents trial” and it sent a message about the direction that the regime was taking towards free speech. It did not deter Kokalari, who used the trial to stand up for her rights. Witness accounts speak of her declaring: “I do not need to be a communist to love my country”. Despite her bravery, she would have endured severe, prolonged torture during her detention and trial. The court refused to let her speak for any length of time.

Kokalari was sentenced to 20 years imprisonment, of which she served 16. She spent a further period of exile in northern Albania, where she worked as a manual labourer. She joked that she was a “mortar specialist”, as her work involved heavy, arduous construction. On her days off she would visit the library and sit in a public place reading a book under the watchful eye of the secret police. Despite the fact that she was forbidden to write, she secretly completed a manuscript about the founding of the Social Democratic Movement. Kokalari died in 1983 – two years before the decline of the dictatorship – after being refused treatment for cancer by the Albanian government.

The fragile rule of law

The near full isolation imposed on her by the communist authorities denied Albanian society and the wider world her powerful voice and writings. Kokalari’s writing tapped into local custom and language, using local dialects in a lucid way, as she wrote about the challenges facing her generation of women. Her broader outlook about her country’s future as a democracy is far from outdated. At its core, the protection of free speech as a key to participating in, and contributing to civil society should serve to remind us how democracies are always works in progress. Her trial and the trials of her contemporaries show how fragile the rule of law can be.

In April 2015 the Albanian parliament passed a law permitting individuals to access their secret police or Sigurimi files. In 2017 the Kokalari family was presented with the file that the Sigurimi kept on her. Within it they found the powerful and defiant photograph of the writer standing alone in front a crowd of people as she was put on trial for her beliefs (fig.1). Kokalari is evidence of a political dissident voice in a country with little experience with democracy and which existed in near isolation for most of the 20th century. It continues to struggle with its authoritarian past.

It is a timely moment to reflect on the contribution that this remarkable woman made to Albania’s cultural and political life. Her life story is a poignant tale of achievement and ambition, of hope in the face of repression and also inspiration – for Albanians and non-Albanians alike.

Dr Agata Fijalkowski is a Senior Lecturer in Lancaster University’s Law School, where she is currently working on a monograph on ‘visual law’, which considers photographs of trials from the period 1944-1957 in Albania, Germany and Poland and the way that these photographs ‘speak legally’. The powerful image of the Albanian writer and political dissident Musine Kokalari discussed in this article resulted in an exhibition at the National Science and Media Museum in Bradford that also included a short, ‘arty’ film An Unsung Hero: Musine Kokalari (2017). More broadly, she is interested in transitional criminal justice, law and the visual and war crimes. In July 2019 she will be joining Leeds Beckett University as Reader in Law. Find her on Twitter at @AgataFijalkow

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‘Knock Down the Gang of Four!’: Caricatures in the British Library’s collection of post-1949 Chinese posters

Dr Amy Jane Barnes

Introduction

In 1942, at the Yan’an wartime base of the Chinese Communist Party (CCP), Mao Zedong (1893-1976) declared that:

‘There is in fact no such thing as art for art’s sake, art that stands above classes or art that is detached from or independent of politics. Proletarian literature and art are part of the whole proletarian revolutionary cause; they are, as Lenin said, cogs and wheels in the whole revolutionary machine’ (Mao 1965: 86).

This vision for art and its vital role in the dissemination and furthering of revolutionary zeal continued after the foundation of the PRC in 1949. Although hardly a new phenomenon in China,[1]  propaganda posters began to be mass produced with their manufacture and distribution based on the Soviet model.[2] These posters ‘struck a chord’ with illiterate and rural populations, ‘who were accustomed to “reading” messages conveyed visually through shop signs, New Year prints, pictures in the temples, flags and banners on the opera stage, and crudely printed fly sheets that began to circulate in the second half of the nineteenth century’.[3]  Cheap to produce and buy from branches of the state-run Xinhua shudian (the New China Bookshop), posters were an acceptable form of decoration in homes, schools, factories and state buildings. Immediate and didactic, attractive, bold and dynamic, propaganda posters were accessible vehicles for the dissemination of ideological campaigns and points of reference for political analysis and discourse.[4]

Towards the end of 2015, I undertook a three-month postdoctoral public engagement research position at the British Library. Funded by the British Inter-University China Centre (BICC) the goal of the project was to research and compile a catalogue of the Library’s collection of post-1949 Chinese propaganda posters (xuan chuan hua). Having mostly been collected since 2005, the collection is comprised of 89 individual items (at the last count), ranging in date from 1950 to 1982. The bulk of the collection was published in the mid-1960s, just before the start of the Great Proletarian Cultural Revolution (wu chan jie ji wen hua da ge ming) (1966-1976).  The posters in the British Library collection can be categorised by a series of distinct themes, including revolutionary New Year prints (nian hua), so-called ‘chubby baby’ posters, and material eulogising Chairman Mao Zedong (1893-1976). But what I want to focus on in this blogpost, are a series of posters featuring serial caricatures and cartoons that satirise and attack the notorious ‘Gang of Four’.[5]

Who were the Gang of Four?

gang of four 1
A poster from the International Institute for Social History (IISH) Collection, featuring a red cross superimposed over portraits of the Gang of Four. Lu Xun Art Academy,  October 1976, ‘Resolutely overthrow the anti-Party clique of Wang, Zhang, Jiang and Yao!’ (Jianjue dadao Wang Zhang Jiang Yao fandang jituan!), BG E16/68 (IISH collection).

The Gang was headed by Mao Zedong’s fourth wife Jiang Qing (1914-1991). Jiang had assumed the role of Chinese cultural supremo in the 1960s, asserting her power and influence first over the performing arts, and later all forms of art practice. A sometime actress from Shanghai, Jiang held strident ideological views on arts and culture, and used her position to attack those in the cultural sphere who she regarded as rightists and bourgeois enemies of the state. Mao coined the name ‘Gang of Four’ for Jiang and a small group of her admirers: Zhang Chunqiao (1917-2005) – a propaganda chief in Shanghai; the literary critic Yao Wenyuan (1931-2005); and a Shanghainese organiser, Wang Hongwen (1935-1992). Together, they controlled the cultural scene and, for a time, yielded a great deal of influence over Chinese politics.  However, after Mao’s death in September 1976, Jiang and her Gang, fell rapidly from power. The blame for the worst excesses of the Cultural Revolution was placed firmly at their door.

The British Library collection

Dating from the immediate post-Mao period (c. 1976-7), the British Library holds four Gang of Four-related posters and a slightly later sheet (published October 1980) from a newspaper entitled Feng ci yu you mo [‘Satire and Humour’], a title that clearly signals the spirit in which the caricatures were intended to be taken. The cartoons were intended to be viewed against the backdrop of the soon-to-commence trial of the Gang of Four.

The posters, similar in style but each from series produced by three different publishing houses, are comprised of sequential, bitingly satirical caricatures in brush and ink (with some photo montage). They comprise the work of different artists and caricaturists, who depict Jiang and her clique as engaging in devious actions, or as subjugated and humiliated villains. This group of posters represents the propaganda poster in transition, reflecting the ideological shift from Cultural Revolution to the Reform Period’s ‘socialism with Chinese characteristics’ – the key tenet of Deng Xiaoping’s premiership that saw periods of economic reform and the ‘de-Maoification’ of the cultural sphere.[6]

For much of the latter half of the twentieth century, the art reproduced for dissemination in poster form was figurative (the socialist trinity of worker, peasant and soldier was a key theme) and dynamic. Colours were bright. Red, which symbolised revolutionary spirit, predominated. Slogans were strident and unequivocal.  As Evans and Donald (1991: 1) evocatively describe, these posters give us a sense of what people saw during the Mao years. During the Cultural Revolution (1966-1976), ‘[they] were ubiquitous in public and private space. They were displayed on billboards and classroom walls and in clinics, workspaces, and domestic spaces … they were inescapable’. Posters were absolutely ‘central to the political culture of the time’ ,[7] and they are ‘a major visual text central to the processes of constructing meaning and practice’ .[8] Indeed, the former journalist John Gittings writes of the posters he saw during a visit to China in 1971, as being visual ‘points of reference … emphatic and exuberant, often stating topics with greater emphasis and clarity than our own guides’.[9]

However, the subject of this blogpost – the Gang of Four posters – are quite different in tone and style. Gittings (1999: 36) notes that when they ‘featured as targets of poster attack’, the Gang and their crimes were ‘lampooned’ in cartoon form, in an echo of earlier campaigns against purged Party leaders – the best known of which is A Crowd of Clowns (Weng Rulan, 1967) – and the dazibao [‘big character posters’] that publicly denounced and criticised their targets.[10] It is into this category of political caricature that the posters in the British Library collection – and other similar examples – fall. Pozzi (2018) has coined the term fenci xuanchuanhua (‘caricature posters’) to describe this genre – a term that ‘comprises both their content and their function’. Yet perhaps, they owe more to the ‘big character posters’ (dazibao) pasted on walls and buildings, which served as a public means of expressing complaints against officials and policies, and which were often used during the Cultural Revolution to denounce individuals accused of bourgeois activities and behaviour. Indeed, it was a dazibao written by Mao Zedong and directed at his political rivals in August 1966 – ‘Bombard the Headquarters’ – that launched the wave of persecutions that characterised the early years of the Cultural Revolution.

With titles like ‘Thoroughly expose and criticise the Wang Zhang Jiang Yao anti-party clique’  (British Library, ORB.99/40 (2)),[11] and ‘Deeply expose and fiercely criticise the “Gang of Four”, the armed forces oppose the disorder of their heinous crimes” (British Library, ORB.99/40 (3)),[12] the latter no doubt targeting a readership of servicemen and women – the intent of the posters is explicit. Through text and image, the posters visually signalled this new post-Mao/post-Gang era to the Chinese people and compelled them to direct all their anger for the calamitous failures of the Cultural Revolution at Jiang and her cronies.

gang of four 2
An original painting of a similar style of caricature as depicted in the British Library posters. Here, Jiang Qing is shown taking a photograph of Marshal Lin Biao pretending to study Mao Thought. Behind him is a sword named ‘571 Plan’ (571 gong cheng), which refers to Lin’s supposed plan to launch a coup d’etat in 1972. The implication is that Jiang collaborated with Lin in the plot to overthrow her husband. Guangzhou Xiangqun Printing Agency (Guangzhou Xiangqun yin shua she), c. 1977, ‘Let me take a shot of you’ (Ni chui wo pai), DS778.7 .W446 no.65 (CUHK Digital Repository).

In one cartoon (British Library, ORB 99/40 (2)) Jiang, wearing her characteristic black-rimmed glasses and bun hairstyle, dynamically whirls around an athletic hammer (or is it a wrecking ball?), accompanied by the caption ‘Old Performer’ (lao yiren); likely a reference to her former acting career. Another on the same sheet, which depicts Jiang in insect-form devouring a corn-on-the-cob, is titled ‘Female locust’ (nu huang). The poster, ‘Overthrow the careerist Jiang Qing’ (Da dao ye xin jia Jiang Qing) (British Library, ORB.99/40 (4)), features a cartoon of the members of the gang, squashed beneath the weight of a giant fist emblazoned with the characters for ‘Knock down [the] Gang of Four’ (da dao si ren bang) – the meaning here is self-explanatory. Other cartoons in the series show the Gang living it up in luxurious surroundings at the expense of the Chinese people, quaffing from goblets and bottles of alcohol, or taking a leisurely boat ride, during which Jiang is attended to by her cronies, who fan her with palm leaves and supply her with yet more wine.  There may be further implicit meanings within these images: as I am not a proficient reader of Mandarin, I may have missed the subtleties and culturally-contingent meanings of some of these captions.

gang of four 3
A detail from ‘Supernatural Wind and Evil Matron’ (Yao feng he yao po), c.1976-7, DS778.7 .W446 no.69, CUHK Digital Repository.

The only poster in this set that deviates from the established form described above, is ‘Satire and Humour’ (British Library, ORB.99/40 (5));[13] a partially colour-printed newspaper supplement, which was published and distributed in the People’s Daily (Renmin ribao) some years later than the others, in October 1980. This demonstrates that anti-Gang of Four sentiment was still in full swing some four years after Mao’s death and their downfall, but that by 1980, the tone had somewhat changed. Here, the Gang are ridiculed rather than directly attacked. They’re made figures of fun, absurd characters for people to poke their fingers at and laugh; loathed, but no longer feared, perhaps? The anti-Gang caricatures here feature alongside other cartoons. There is politics here, but also lighthearted fun; possibly emblematic of the more relaxed political context and cultural changes taking place in China under Deng Xiaoping’s reforms.

In conclusion, this short exploration of anti-Gang of Four caricature posters has sought to cast light on an overlooked genre of post-1949 art from China. From a Western perspective, we often dismiss the visual culture of authoritarian regimes as moribund and stagnant. And yet, these caricature posters help to challenge this view, demonstrating that there was diversity and inventiveness in the visual culture of this tumultuous period of Chinese history, even if it was given over to ideological motivations.

Amy Jane Barnes is a freelance academic, curator and soon-to-be coach for final year PhDs and early career researchers. She has a background in Asian art history and museum studies, and received my PhD from the University of Leicester in 2010. She has worked in museums as a curator and researcher, and in academia as a lecturer, tutor, researcher and programme manager. In addition to her freelance activities,  I am also a University Teacher in the School of the Arts, Loughborough University and an affiliate of King’s College London. Find her on Twitter at @AmyJaneBarnes

 

 

Notes

[1] See Gittings 1999: 29-30.

[2] Gittings 1999: 29.

[3] Gittings 1999: 29.

[4] Gittings 1999: 28.

[5] A note on illustrations: Unfortunately, I’ve not been able to illustrate this post with images of posters from the British Library’s collection, due to its understandably strict adherence to copyright law. See my December 2015 blogpost for BICC for further details. I would like to extend my thanks to the International Institute for Social History for the permission to use representative examples from its collections. Images from the CUHK Digital Repository are used under a Creative Commons license.

[6] See Landsberger 2008: 54.

[7] Evans and Donald 1999: 2.

[8] Evans and Donald 1999: 2.

[9] Gittings 1999: 27.

[10] See Evans and Donald: 1999: 8.

[11] Che di jie fa pi ping Wang Zhang Jiang Yao fan dang ji tuan.

[12] Shen jie meng pi si ren bang fan jun luan jun de tao tian zui xing.

[13] Feng ci yu you mo.

Bibliography

Evans, Harriet and Stephanie Donald. 1999. ‘Introducing Posters of China’s Cultural Revolution’. In Evans and Donald (eds), Picturing Power in the People’s Republic of China. Lanham: Rowman & Littlefield Publishers Inc., pp. 1-26.

Gittings, John. 1999. ‘Excess and Enthusiasm’. In Evans and Donald (eds), Picturing Power in the People’s Republic of China. Lanham: Rowman & Littlefield Publishers Inc., pp. 27-46.

Landsberger, Stefan. 2008. ‘Designing Propaganda: The Business of Politics’. In Zhang, Hongxing and Parker, Lauren (eds), China Design Now. London: V&A Publishing, pp. 53-55.

Mao Tse-Tung. 1965. ‘Talks at the Yenan Forum on Literature and Art’. In Mao Tse-Tung, Selected Works of Mao Tse-Tung: Vol. III. Peking: Foreign Languages Press: 69-98.

Pozzi, Laura. 2018. ‘The Cultural Revolution in Images: Caricature Posters from Guangzhou, 1966–1977.’ Cross-Currents e-Journal June 2018 (No. 27). https://cross-currents.berkeley.edu/e-journal/issue-27/pozzi, accessed 11 September 2018.

‘Losers’, ‘usurpers’, and their linguistic and historical translation

Lani Seelinger

The Normalization regime in Czechoslovakia — as Václav Havel aptly illustrated in his widely read work, “The Power of the Powerless” — rested on a carefully constructed social contract. As long as Havel’s greengrocer was willing to put a sign amongst his goods displaying the “Workers of the world, unite!” slogan, he could reap all the materialistic benefits that the regime provided. The words on the sign, however, didn’t express the greengrocer’s deeply held belief; instead, they were a signal that he was willing to comply with what the regime asked.

800px-Vaclav_Havel_1965
Václav Havel

But what about when people didn’t comply? The government could deploy certain punishments against the so-called “unreliable” individuals — demotions, blacklisting, the refusal of exit permits, even imprisonment — but one of its most important and effective methods of attack was through the propaganda machine. In the government-controlled media, like the Rudé Právo (Red Justice) newspaper, the regime could denounce the offenders in vicious terms, though their words weren’t intended merely to convey meaning. Again, they served an additional purpose — but this time, they acted as a warning.

In 1977, 242 people signed Charter 77, a document criticizing the regime for its failure to uphold the human rights requirements of documents like the 1960 Constitution of Czechoslovakia and the 1975 Helsinki Accords. The precipitating event for the Charter was the arrest of the members of the Plastic People of the Universe, a psychadelic rock band whose messaging didn’t align with the regime. The so-called “Chartists” then banded together to express their support for the band, because they saw the arrest as being in direct conflict with the regime’s commitments to human rights on paper. The regime reacted in numerous ways, but one of the most important of these was its attacks on the signatories in the press. On January 12, 1977, an article came out in Rudé Právo called “Zkroskotanci a samozvanci,” which translates to something like “Losers and Usurpers” or “Traitors and Renegades,” in which the government denounced the dissidents who had signed Charter 77.

The article begins with a description of the regime’s enemies: “imperialism,” “ the bourgeoisie,” and the “rule of capitalism,” which together have been “looking for new

Screen Shot 2019-02-19 at 12.47.09 PM
Via socialismrealised.eu

forms and methods to mount anti-communist attacks, to disrupt the unity of the socialist countries.” This, the article claims, is what the good citizens of Czechoslovakia have to fear — and then it introduces Charter 77 as “the newest defamatory article,” which “a group of people from the failed Czechoslovak reactionary bourgeoisie and the failed organizers of the 1968 counterrevolution passed on to certain western agencies at the order of the anti-communist and zionist headquarters.”

Already, this description relies on a number of recognizable enemy forces purported to be at work in the article’s publishing. In the language of the communist regimes, the bourgeoisie was always the enemy of socialism and the people working to build it, and here too the concept repeatedly turns up. The article also refers to the Prague Spring as “the 1968 counterrevolution” — the period of liberalization that resulted in the Warsaw Pact invasion of Czechoslovakia in an effort to “protect socialism” — and a “failure”, meant as both a derisive statement as well as a warning to anyone who might try something similar. In the Cold War context, which the article also acknowledges, the West was the main antagonist, connected to all of the enemies mentioned above. By pointing to “western agencies” as the force that spread the charter, the article set up the charter’s authors as connected to Czechoslovakia’s enemies, rather than Czechoslovakia itself.

In essence, this article’s introduction illustrates the characteristics of an antagonist — the “bourgeois world” — and then describes how exactly Charter 77 is working on behalf of that antagonist against the equality, progress, and peace that the socialist system offers. The harsh denunciation of the Charter and its authors, though, only makes up a relatively small section of the article. After calling the Charter an “anti-state, anti-socialist, anti-people, and demagogic lampoon,” and describing its authors as members of the bourgeois, cosmopolitan class attempting to break up the socialist government, it quickly moves on to describing socialism as a system that is more than prepared to deal with such attempts.

“Everything against socialism is good for it,” the article reads, referring to a document calling for reform published in the lead up to the Prague Spring as an example of the sort of “bourgeois print” that the regime had readily handled in the past, despite the best efforts of numerous western media outlets, which it names in particular as the BBC, The Guardian, Le Monde, and others. These and other attempts to “dirty and malign” the system never succeeded, however, as the system was always prepared for such flimsy attack jobs, as the article’s writers maintain: “Socialism nevertheless didn’t even recoil from atomic extortion, much less from hack writers of reactionary pamphlets done to seed fear.”

In conclusion, the article moves into a full-on celebration of socialism’s successes, emphasizing the unity of the socialist countries and their progress beyond the “imperialistic circles.” Charter 77, it says, is just part of the “stream of lies” that the “reactionary propaganda has unleashed into the world about us.” The socialist system and the people within it constitute, the article concludes,

a good, honest path that will steadily guide us to the communist goals. Everyone who works honestly and contributes to the common good will find for himself life security. No mendacious defamatory article can negate history’s truth.

Throughout the article, the authors rely on terms important not so much for their meaning in the dictionary, but for their broader meaning in the national and Eastern bloc-wide discourse. We’ve already discussed the terms used to mark the enemy — reactionary, bourgeois, imperialist, Western — but on the positive side, “Life security” is a good example — in the Czechoslovak case, this meant exactly what Havel’s greengrocer was after — a job, a second house in the countryside, access to passable schools for his children. Readers may not have believed everything that the article claimed, but they would have understood the threat lurking between the lines — this, readers, is the treatment that you can expect if you join the dissident movement.

To audiences today, on the other hand, “Losers and Usurpers” reads rather as a parody, extolling the virtues of a system that would fall less than two decades after the writing of this article and denouncing the people who would emerge, in the eyes of most, as heroes. The terms that held such meaning coming from the Czechoslovak communist leaders have lost that meaning today, deprived of the discourse surrounding them. This phenomenon, however, of government propaganda and at times even normal propaganda relying on fixed discursive elements that mean more than what it says in the dictionary, is far from relegated to the past. “Losers and Usurpers,” then, serves not only as a glimpse into the past, but also as a reminder that it’s always important to approach media, especially when it comes from someone with an agenda, with a critical and discerning eye.

Lani Seelinger is a PhD student at the University of Helsinki and a remote member of the  Department of Education at the Institute for the Study of Totalitarian Regimes, Prague. She is also the co-creator and curator of Socialism Realised, an online learning environment aimed at forging a deeper understanding of the lives of the people in communist regimes, and a comparison of these experiences to the present. You can find Socialism Realised on Twitter at @SocialismR.

Blog Round-Up!: January-February 2019

Tom Shillam

The beginning of 2019 has seen much commentary on authoritarianism, political violence and student activism across the academic blogosphere. Here, I summarise some pieces that draw on new research by promising scholars, which will hopefully offer food for thought and debate!

A fitting place to start might be Brexit and the political wrangling, factionalism and jingoistic posturing it continues to unleash. Not only are leading Brexiteers such as Jacob Rees-Mogg becoming more strident; those who oppose Brexit in the major parties are splitting away to form an ‘Independent Group’ which straddles both.

This brings to mind Andrew Heath’s piece for History Matters, based at the University of Sheffield, on whether the American Civil War can teach us anything today. Heath proposes that the splits we are seeing in 2019 Britain resemble those wrought by the ‘slavery question’ in the 1850s United States – dominated similarly by two political parties – though he is careful not to elide today’s Europe question with slavery in scale or moral consequence.

What is clear is that domestic political discourse around Brexit is deeply imbued with authoritarian and violent undertones which speak to the importance of submerged, brutal histories. Karis Campion, observing the bitter hostility and ridicule meted out to Labour MP Diane Abbott on the BBC’s Question Time of 17 January – and the routine sexist and racist abuse directed at her on social media – employs the concept of  ‘misogynoir’ in considering how ‘both sexism and racism manifest in black women’s lives to create intersecting forms of oppression’.

The history of British colonialism explains this. Noting that lighter-skinned black women such as Meghan Markle receive comparably less abuse, Campion explores the histories of Caribbean plantation societies. Here, while black slave women were routinely raped, mixed-race women were used as an ‘intermediary between black and white’, sometimes becoming part of new managerial classes. Campion proposes that these ‘historical societal structures’ explain ‘misogynoir’, which ‘systematically devalues darker-skinned women’.

At the same time as history excludes some, it serves others. Kojo Koram focusses on the irony of Brexiteer MPs employing the language of national liberation in a country which historically understood itself to be too ‘civilised’ for ‘overt nationalism’. In the recent past, the language of national liberation was an anti-colonial one which paternalist British elites scorned; but Koram observes a parity of intent between today’s Brexiteer elite and certain postcolonial elites of the 20th-century, whose rhetoric sometimes concealed lust for newfound political and cultural power. Understanding where such political languages come from, Koram suggests, is one step to exposing dishonest latter-day adherents.

Other interesting pieces on the themes of race, resistance and authoritarianism in colonial history include Marlene Daut’s article on the Kingdom of Hayti, and Teju Cole’s article in the New York Times on the camera as an instrument of imperialism. Daut’s is a readable and informative piece on ex-slave Henry Christophe who became king of the first free black state in the Americas. Cole’s thorough and profound piece makes powerful arguments about how photography and photojournalism – which, when paired with a ‘political freedom of movement’, has often served to ‘aestheticize suffering’ – practiced more carefully can catalyse public action on key issues.

Ayona Datta, writing in The Conversation about how young women living on the outskirts of Delhi are using selfies to challenge standard orderings of public space, agrees with Cole that photography can be both a liberating and dangerous act. The locations where young women snap selfies, and their immediate surroundings, provide insights into control over women’s bodies in contested urban settings. Datta suggests the selfies express deeper yearnings and anxieties than ‘a simple rendition of a millennial trend’.

Indeed, studying the political arguments and expressions of the young matters to understanding contemporary politics on several continents. Dan Hodgkinson and Luke Melchiorre highlight the agency of radical students in 1960s and 1970s Africa in pushing alternate pan-Africanist and socialist decolonisation projects which authoritarian postcolonial states combatted.

Elsewhere, Associate Professor of History Elspeth Brown explores the history of Canada’s first gay student organisation, the ‘University of Toronto Homophile Association’, founded in 1969. The body prefigured today’s LGBT liberation movements in the region, and Brown includes audio clips from lead activist Jearld Moldenhauer which shine a light on the challenges – including unemployment – Moldenhauer faced for his agitation.

Finally, returning to the theme of the language and concepts employed to stigmatise disadvantaged groups and populations, Kate McAllister of the University of Sheffield writes about the history of mental health treatment in Britain. Charities like Mind are currently calling for ‘parity of esteem’ between mental and physical health conditions as politicians move painfully slowly – if at all – to recognise the country’s ongoing mental health crisis. McAllister investigates how in early 20th-century welfare legislation, the concept of the ‘unconscious’ was used to brand mental health problems imaginary. Again, the detailed study of history and its organising concepts and narratives offers crucial insights into today’s problems.

Tom Shillam is PhD student at the University of York who holds a Departmental Scholarship from the Department of History. His research considers how mid-20th century South Asian intellectuals synthesised anti-authoritarian ideas of their own with those of writers elsewhere to propose a different decolonising politics to the dominant developmentalist dogmas of the time. Catch him on Twitter @tomshillam.

Authoritarian Discourse in Civil Society: Notes from the Congress for Cultural Freedom

Tom Shillam

It seems easy, today, to distinguish between progressive and authoritarian political discourse. The battle lines have taken shape in front of us. Strongman leaders and xenophobic demagogues identify ‘immigrants’, ‘Muslims’ and ‘globalists’ as collective enemies. They shut down universities, block NGO boats from saving desperate migrants adrift in the Mediterranean and disappear journalists who don’t agree with them.   Organised in political parties, civil society groups, and protest movements, their opponents remain steadfastly supportive of civil liberties and human rights.

But is progressive political discourse constituted by the defence of rights alone? As progressive parties lose electoral support – with few exceptions  – across Europe and beyond, it is becoming increasingly clear that bolder strategies and messages of hope are needed to resist authoritarian advancement.[1] Rights we hold dear – which include, for researchers, academic freedoms – might be best maintained by constructing narratives of past, present and future which emphasise their historical importance and future promise.

Protest and civil society movements which attempt this are already having success. ‘Extinction Rebellion’, a new UK-based direct action group focussing on climate change, positions its activism within a longer history of civil rights, suffragette and anti-authoritarian agitation. Thousands gathered in front of Gandhi’s statue in Parliament Square, London on its launch. To have success, movements need narratives, and narratives draw on influences and voices of hope, repurposed for the future. Gandhi is a prime example.

In this venture, I suggest, it is vital to remain critical and reflective about such

gandhi statue
Gandhi Statue in Parliament Sq, London (Source: Wikimedia Commons)

influences. Take Gandhi; environmentalists draw on him, but elsewhere, Ghanaian students remove his statue from university campuses, raising attention to the racial slurs he used during his time in South Africa. Voices which civil society movements draw on can – even when raised in favour of an ostensibly progressive cause – subtly exclude, degrade, even oppress certain groups. Clement Attlee is currently enjoying a revival on the British Left – a Prime Minister whose government described early ‘Windrush’ Jamaican immigrants as an ‘incursion’ and did not promote acceptance of them.

My research strongly emphasises the importance of considering these questions. At a conference held in West Berlin in June 1950, a number of well-known liberal and left-wing intellectuals gathered to discuss the threat posed to freedom of cultural expression by Communism. They soon founded a permanent body, the Congress for Cultural Freedom (CCF), which established offices, produced magazines and arranged conferences across 35 countries and several continents in the 1950s and 1960s. The aim was to forge a new kind of liberal and ‘anti-totalitarian’ cultural criticism which counteracted the appeal of Communist ideology among progressive intellectuals reading CCF magazines and attending CCF conferences.

A number of prominent progressive thinkers on the British Left – such as Bertrand Russell and Stephen Spender – and on the Western Left more broadly, became involved with the project. These thinkers often believed that the freedoms they enjoyed, including freedom of expression and freedom of speech, were linked to the level of individual freedom achieved in Western societies. Human progress followed a democratic capitalist path; certainly, tensions existed, which Western CCF writers suggested might be eased by introducing welfare states, but a basic formula for attaining key freedoms had been worked out in the West.[2]

When turning to the pages of British CCF magazine Encounter, though, it is easy to uncover less than progressive sentiments festering beneath the veneer of liberalism and human advancement. These sentiments often reared their heads in essentialised treatments of the Third World. In the first edition of Encounter, Swiss writer Denis de Rougemont, seeking to ‘find’ India, oozed stereotypes; spiritualism was ubiquitous, and the country was stunted by its ‘primitive’ hierarchy which kept all passive. The ‘profound crisis of India’, inhibiting any advancement towards ‘freedom’ or ‘democracy’, crystallised in its failure to ‘rupture with magic’.[3]

Similarly, in October 1955, South African writer Laurens van der Post turned an ostensibly critical eye on prospects for progress and development in Africa. A deeply racialised account ensued. The ‘African’, or the ‘black man’, had endured in a timeless state of ‘natural and innocent society’ until the arrival of the ‘white man’ or the ‘European man’. Now, Africans entered onto the stage of history. Their temperamental quiescence meant that, for some time, they ‘served the white man in a way that is almost too good to be true’ in a moment of ‘hush and suspended indigenous development in Africa’ which carried ‘immense potentiality’. Van der Post believed his account was progressive – he proceeded to critique ‘unenlightened white policy’ in Africa which had destroyed these potentialities of development – but it clearly turned on racist imagery.[4]

Such essentialised depictions had long featured prominently in Western writing. A well-known example regarding India is James Mill, a utilitarian so convinced that wisely formulated laws precipitated human progress that he dismissed the entirety of so-called ‘Hindu’ or Indian civilisation in an 1818 book without ever having visited the country. In the later part of the 19th century, this civilisational thinking became indistinguishable from racialised thinking; white connoted civilisation and progress, black connoted savagery and stasis.

De Rougemont and van der Post are extreme examples, but the same thinking subtly undergirded many Encounter considerations of similar topics. Where a progressive politics might have engaged with Indian and African intellectuals and invited their ideas on what human ‘freedom’ meant and how it might be achieved, a ‘progressivism’ characterised by race exceptionalism predominated.

Indeed, the Western CCF did attempt to bring Indian and African intellectuals, among others, into the fold, but not as independent contributors. They got in contact with intellectuals deemed receptive to a Western liberal and anti-Communist politics, inviting them to organise magazines and conferences on related themes in their home countries. When these intellectuals talked too much about politics – Indian CCF intellectuals frequently drew on their experience of colonialism to challenge the notion that ‘freedom’ was a Western import – they were seen to have gone off script; Western organisers complained and set up replacement magazines.[5]

Not only did the ‘liberalism’ of the CCF’s founders conceal beliefs which were authoritarian in their political implications – if Indian and African societies were uniformly illiberal, it would take a strong and robust state, as Western writers often observed, to change them – it also served unexpected geopolitical ends. The CIA, which sought from the late 1940s to promote the ‘non-Communist Left’ in the US and beyond, found something it approved of in the CCF, covertly funding early meetings and offering further support throughout the 1950s and 1960s. Several historians have suggested this had the effect of taming the more radical and innovative currents within CCF branches whilst strengthening the ‘liberal’ ones examined above; anyhow, a seemingly independent civil society movement was relying on CIA funds.[6]

These points emphasise that anti-authoritarian political and civil society forces are not, by default, progressive, an impression that is easy to gain when one looks at political landscapes today. ‘Liberal’ political languages can exclude and essentialise different groups of people, with authoritarian implications. This is not a problem restricted to colonial history; several professedly ‘liberal’ publications including The Economist have recently welcomed President Bolsonaro of Brazil, suggesting his premiership may do good even whilst openly acknowledging his despicable views. To be a progressive is to constantly consider and reconsider whether one’s own views and those of movements one finds appealing contain exclusionary elements. This helps a truly progressive politics take root against its openly authoritarian counterparts.

Tom Shillam is a PhD student based in the Department of History, University of York, whose research considers the cultural Cold War and decolonisation in 1950s & 1960s South Asia. He is currently looking into early Congress for Cultural Freedom journals published in Britain and India, which reveal intriguing divergences on what ‘freedom’ and ‘authoritarianism’ meant to intellectuals from different political and cultural backgrounds. His broader interests include blogging and public history, which has led to articles for fora such as The Conversation.

References

[1] The British Labour Party is a rare exception: https://www.opendemocracy.net/jon-cruddas-response-to-michael-sandel

[2] Frances Saunders, Who Paid the Piper? The CIA and the Cultural Cold War (London: Granta Books, 1999); Giles Scott-Smith, The Politics of Apolitical Culture: The Congress for Cultural Freedom and the Political Economy of American Hegemony 1945-1955 (London: Routledge, 2002).

[3] Denis de Rougemont, ‘Looking for India’, Encounter (October 1953), 36-42.

[4] Laurens van der Post, ‘The Dark Eye in Africa’, Encounter (October 1955), 5-12.

[5] Eric Pullin, ‘Quest: Twenty Years of Cultural Politics’, in Campaigning Culture and the Global Cold War: The Journals of the Congress for Cultural Freedom, ed. Giles Scott-Smith, and Charlotte Lerg (London: Palgrave Macmillan, 2017), 286.

[6] Scott-Smith, The Politics of Apolitical Culture: Hugh Wilford, The Mighty Wurlitzer: How the CIA Played America (Cambridge, MA: Harvard University Press, 2008).

‘Outsider’ vs. ‘Our Own’: Confronting a Familiar Paradigm in the Pages of the Early Gulag Press.

By Mark Vincent

The rigid dichotomy of the ‘political prisoner’ vs. ‘common criminal’ continues to frustrate researchers of the Soviet camp system. Although accounts of late Imperial exile and hard labour have argued persuasively  in favour of studying a wider range of carceral experiences, this dichotomy remains unchallenged in studies looking to reconstruct daily life in the Gulag.[1]

Though an impressive achievement, the relatively recent volume edited by Michael David-Fox struggles to break down the reductive labels of ‘criminal’ and ‘political’ assigned to inmates.[2] While—on a purely personal level—this volume  proved incredibly helpful, as I was able find the activities of criminal gangs through terms such as urki (‘criminals’), vory (‘thieves’) or bandity (‘bandits’) in both survivor memoirs and archival documents, these inquiries raised the fairly obvious questions of who exactly constituted a ‘criminal’ in the Soviet Union in the first place, and what differences there might be within this broad category?

Looking for further ways of breaking down these labels and based on excellent advice by colleagues (special thanks to Miriam Dobson!), I began to look at prisoner newspapers from the 1920s The most prominent of these was the newspaper of the early Soviet ‘showpiece’ penal institution on the Solovetskii Archipelago in the White Sea – the inspiration behind Aleksandr Solzhenitsyn’s famous allegorical metaphor.

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Photograph of inmates working on the camp newspaper taken from the excellent online exhibition and teaching resource: https://www.gla.ac.uk/hunterian/visit/exhibitions/virtualexhibitions/beautyinhellcultureinthegulag/

Beginning in 1923, and running until the spring of 1930, the most renowned publication from the camp, Solovetskii Island, reached an impressive circulation figure of around 3,000 copies and was available both via subscription or at kiosks in Moscow, Leningrad and Kharkov.[3] Upon first glance, the all too familiar dichotomy of ‘criminal’ vs. ‘political’ prisoner looked to be even more pronounced here than in the Gulag memoirs that I consulted, particularly given that the vast majority of articles were written by prisoners hailing from the educated and cultural elite.

This was encapsulated perfectly in the title of the article “Frayera” i “Svoi” from the August 1925 edition of Solovetskii Island.[4] In this sense, frayera is best understood as slang for an ‘outsider’ and svoi as ‘our own’, both implying a clear boundary of inclusion. These groups were consolidated further by the author of the article, a prisoner named ‘B. Borisov’ (pseudonyms were used by a number of authors ), who began the piece by depicting inmates from the 13th Work Company looking down from the walls of the Solovetskii Kremlin, dividing the mass of prisoners in the gardens below neatly in half.

Borisov clarified that these were the aforementioned two groups, with ‘outsiders’ representing anyone who could be stolen from (my emphasis), with ‘our own’ meaning those who earned their livelihood through stealing. Although, they  stated, this divide could be clearly seen through physical appearance and mannerisms, the author also suggested that differences were not just external. As a self-ascribed ‘outsider’, Borisov explained how the opposing group viewed not just camp life but the entire world according to these rules, even lamenting that his  group lacked the strict ideology and moral code that ‘our own’ lived by!

While this initial sketch subscribed to the conventional political vs. criminal paradigm with which we are familiar, Borisov later began to break down the category of ‘one’s own’ into a hierarchy which demonstrated a more diverse constellation of criminal identities. At the top of this pyramid, in Borisov’s words the ‘aristocracy’, were ‘swindlers’ (those who engaged in profit-making scams), followed by a ‘large bourgeois’ of safecrackers and counterfeiters. The remaining masses comprised of pickpockets, house burglars and thieves who stole from shops or market stalls with the aid of their accomplices.[5]

According to Borisov, the ‘have-nots, pariahs and shpana (habitual prisoners)’ who formed the bottom layer were driven by their ‘petit-bourgeois morality’. Interestingly, but not surprisingly given that it had to pass through secret police censors, the article had absorbed the language of the New Economic Policy which looked to crackdown on old, capitalist ways of life.[6] Although Borisov stated that criminal hierarches were full of ‘hypocritical traditions’, they  stated that more professional crimes such as ‘safe-cracking’ could not be compared to situational offenses, such as the wild, ‘feral’ activities which took place in Khitrovka – a famous Moscow district afflicted by its association with alcohol, drugs and prostitution, and which came to be used as ‘shorthand’ for these activities..

This analysis not only reflects discussions in contemporary criminology regarding the ‘hierarchy of crime’ where some activities have traditionally carried more esteem than others, but shows how the pejorative label Khitrovka could be prefixed to criminals, regardless of whether or not they actually hailed from that location.[7] Further interesting avenues this leads to could be to explore the interplay between incarceration and areas designated as ‘criminal spaces’ outside of penality; for instance the Odessan suburb of Moldvanka which appeared regularly in prisoner songs from the same period.

With criminals being designated a ‘Khitrovka pickpocket’ or ‘Khitrovka prostitute’ it also opens the possibility of looking at the differences between how male and female prisoners were discussed in the publication. Although, as suggested,  the problems of using the camp newspapers are manifold, the information they have provided goes far beyond the survivor memoirs from the Solovetskii camp, helping to break down this reductive binary. This, in itself, would seem like a worthwhile endeavour in looking to construct a more detailed and nuanced picture of prisoner society during the early years of the Soviet regime.

Based on themes from Dr Mark Vincent’s upcoming monograph, Criminal Subculture in the Gulag: Prisoner Society in the Stalinist Labour Camps (I. B. Tauris, 2019). Link to the Amazon pre-order: https://www.amazon.co.uk/Criminal-Subculture-Gulag-Prisoner-Stalinist/dp/1788311892.  Find Mark on Twitter at @VincentCriminal, or contact him at cultoftheurka@gmail.com

 

References

[1]See, in particular: Sarah Badcock, A Prison Without Walls? Eastern Siberian Exile in the Last Years of Tsarism (Oxford, 2016); Sarah Young, ‘Knowing Russia’s Convicts: The Other in Narratives of Imprisonment and Exile of the Late Imperial Era’, Europe-Asia, 65:9 (2013). Link: https://www.tandfonline.com/doi/abs/10.1080/09668136.2013.844509

[2] Michael David-Fox (ed.), The Soviet Gulag: Evidence, Interpretation and Comparison (Pittsburgh, 2015).

[3] Gullotta, Andrea, ‘The ‘Cultural Village’ of the Solovki Camp:  A Case of Alternative Culture’, Studies in Slavic Cultures, XI (2010), p.12.

[4] Borisov, B, ‘‘Frayera’ i ‘Svoi’’, Solovetskie Ostrova, No.8, August 1925, pp.80-82.

[5] Definitions of criminal activities checked against: Vitaly von Lange, Prestupnyy Mir  Rossii: Moi Vospominaniya ob Odesse i Khar’kove (Odessa, 1906).

[6] See similar comments regarding prostitution in: Kowalsky, Sharon, Deviant Women: Female Crime and Criminology in Revolutionary Russia 1880-1930 (Dekalb: Northern Illinois Press, 2009).

[7] Crewe, Ben, The Prisoner Society: Power, Adaptation and Social Life in an English Prison (Oxford: Oxford University Press, 2009).

 

Justifying Terror: virtue in Jacobin France

By Sam Young

Paris in 1793 was a city gripped by uncertainty.

The revolution that ended Bourbon absolutism and established a constitutional monarchy had developed more rapidly than anyone could have predicted. Spiralling food prices, provincial uprisings and incursions by foreign armies led to unbearable tension in the capital. In September 1792, following an explosion of popular violence against suspected reactionaries, the monarchy was abolished. By January, the ex-king Louis was dead.

DavidBrutusSonsCorps

Republican leaders knew that instability required decisive leadership. In July 1793, the hard-line Montagnard wing of the Jacobin Club ousted the faltering Girondin faction and centralised power in the Committee of Public Safety, headed by the ‘incorruptible’ Maximilien Robespierre.

The Committee realised that the threat of violence alone was not enough to consolidate the Revolution. A form of unifying ideology was required. Here the Jacobins fell back on a word that was already widespread in political rhetoric: Vertu, or ‘Virtue’.

The philosophical concept of virtue has its origins in the Enlightenment. In her 2013 study Choosing Terror, Marisa Linton highlights the two key strands of ‘virtuous’ thought that developed over the eighteenth century.[1]

The first is a highly intellectual form of virtue referred to as classically republican. Popular with philosophers such as Montesquieu, this interpretation focuses on the merits of selfless patriotism in safeguarding the democratic republic (modelled on Ancient Greece or Rome). Virtue here represents the philosophical means to a political end: establishing specific intellectual principles upon which governments can base their style of rule.

The second strand is natural virtue. Commonly associated with Rousseau, natural virtue is a more emotional concept than its classical counterpart. It is a popular sentimental force aimed at promoting a ‘sublime level of happiness and fulfilment’ among the people through virtuous acts.[2] This process requires a personal moral development beyond the realms of high intellectualism.

Classical virtue of the first type was what drove the men of the Third Estate when they split from the crown in 1789. To them it remained a ‘high’ philosophical concept, endowing their revolutionary project with a sense of classical destiny steeped in Enlightenment tradition.

This is reflected in the visual art of the time: in August 1789 the Neo-Classical painter Jacques-Louis David exhibited Les licteurs rapportent à Brutus les corps de ses fils (‘The lictors bring Brutus the bodies of his sons’), depicting the Roman republican leader who executed his own sons for plotting with royalists. Emphasising the themes of patriotic sacrifice for the classical-style state, David’s painting portrayed ‘classical republican’ virtue in a clear yet deeply intellectual style.

However, there was a limit to the practical use of lofty Enlightenment idealism. As crises multiplied and French politics edged towards hard-line republicanism, the semantic nature of virtue changed. By 1792 the Jacobins were advocating a form of virtue far closer to Linton’s ‘natural virtue’.

This strongly emotional sentiment was aimed at the streets rather than the drawing rooms of political clubs. Spread by propagandists such as Jean-Paul Marat, natural virtueFrench_revolution_guillotine_hulton_archive represented a ‘passionate commitment’ to the preservation of the patrie and the rooting out of all counter-revolutionary bodies.[3]

The populist appeal of natural virtue gave the Jacobins (or by 1793, the Montagnards) a method of winning support among ‘the urban workers’, particularly in Paris.[4] Virtue was propagandised as a semi-mystical force that existed within all honest republicans – a helpfully ambiguous definition that allowed the Montagnards to use it to popularise actions taken to preserve their power.

The 1793-4 Terror demonstrated this flexibility of meaning. Virtue became the order of the day, acting as the motivation behind the relentless political violence required to sustain Jacobin power. Robespierre summed up the use of natural virtue in the mechanism of terror on 5 February 1794:

‘The basis of popular government during a revolution is both virtue and terror: virtue, without which terror is monstrous; terror, without which virtue is impotent. Terror is nothing more than justice – swift, severe and inflexible.’[5]

Robespierre’s words clearly show the transition of virtue from a philosophical concept to a practical justification for state violence. Semantic ambiguity gave it political potential. From here, one can draw a line to later authoritarian regimes and their use of deliberately vague language to justify violence. For example, the Soviet propaganda machine made liberal use of the term ‘Class Enemy’, changing its meaning to suit the purging of particular social or ethnic groups.

This flexibility is what made Vertu so dangerous. What started out as a highly intellectual term was transformed into a political buzzword used to legitimise terror. The French Revolution introduced many new political ideas to Europe, but perhaps its most remarkable legacy was the realisation that the power of a single word can be virtually limitless.

Sam Young is currently studying for an MA in Modern History at Sheffield. He holds a BA French & History at the University of Nottingham, where he wrote his undergraduate dissertation on the use of ‘Virtue’ in French republican painting. He is currently researching for an MA dissertation on the creation of French-Algerian exile communities in 1960s France. Find him on Twitter: @Samyoung102

References

[1] Marisa Linton, Choosing Terror: Virtue, Friendship, and Authenticity in the French Revolution (Oxford, 2013).

[2] Linton, Choosing Terror, p. 38.

[3] Barrington Moore Jr., ‘Misgivings About Revolution: Robespierre, Carnot, Saint-Juste’, in French Politics and Society 16.4 (1998), pp. 17-36.

[4] Marisa Linton, ‘Robespierre and the Terror’, in History Today 56.8 (Aug. 2006), pp. 23-29.

[5] Quoted in Max Gallo, L’homme Robespierre: Histoire d’une solitude (1968), p. 318.

 

Images

Image 1: Jacques-Louis David, The Lictors Bring to Brutus the Bodies of His Sons, via Wikimedia Commons

Image 2: ‘French Revolution Execution with Guillotine’ from the Hulton Archive, via Wikimedia Commons

‘An amoral lifestyle’ – criminalizing female sexuality in the Soviet 1960s

by Mirjam Galley

That the USSR did not turn out to be the utopia of gender equality that some revolutionaries had dreamt of in 1917 can no longer really surprise anyone. A glimpse into how the Soviet authorities dealt with juvenile delinquency allows us to fathom the extent to which boys and girls were thought of and treated differently. Looking at how deviance and sexuality were addressed in the 1960s also point to the limits of so-called ‘liberalization’ under Nikita Khrushchev.

After Stalin’s death in 1953, Soviet leaders were left with a difficult legacy. His successor Khrushchev had to find a way of reinventing Soviet socialism and removing the taint of Stalinist terror. To prevent the destabilization of the Soviet regime, Khrushchev needed to come up with a way to ensure public order and impose certain norms of behaviour without ubiquitous state terror.

The Soviet 1960s were shaped by a fear of deviance, a fear which was rekindled time and again by actual or perceived waves of juvenile crime. These fears were predominantly evoked around the image of unsupervised youths hanging out in the streets, in staircases, and in the dvory (courtyards), where they were thought to be drinking, smoking, and gambling, all seen as gateways into delinquency and crime.[1]

These anxieties were often personified by the ‘hooligan.’[2] The ‘hooligan’ was the concept most widely invoked in Soviet society to label deviant behaviour. As Brian LaPierre has shown, hooliganism was mainly a ‘crime’ committed by working class

392px-Group_Walking_Moscow_1964
Group of young people walking through Moscow, 1964 (courtesy of CREEES, UVA, via Wikimedia Commons)

men. This might suggest that in the Soviet Union, deviance was ‘male’. A closer look at convictions of underage boys and girls, however, shows that there was also ‘female’ deviance, and that Soviet notions of delinquency and deviance were deeply gendered. Archival documents reveal surprisingly conservative notions of gender roles and sexuality within the Soviet system of justice and even among youths.

At first glance, this seems surprising in a state claiming to have ‘freed’ women and reached the equality of the sexes. Instead, bureaucrats worked with crude impressions of ‘fallen women’ and resorted to victim blaming in cases of sexual abuse and rape. Although there were also girls who committed crimes, it seems like girls were mostly sent to institutions for delinquent minors (reform colonies or ‘special’ schools) for promiscuity (amoral behaviour), or even prostitution – if they could prove that money had been exchanged. Boys, on the other hand, would be sent away most frequently for hooliganism, theft, or assault.

To compare these gendered notions of deviance, I will look at two inspection reports from 1962 about so-called collection and distribution points (priemniki), one for boys in Leningrad and one for girls in Pushkin. Minors would be brought to these places by the police, and wait there to be transferred to an institution. The Leningrad priemnik mostly held boys waiting to be sent to a reform colony. These boys were accused of theft, hooliganism, drunkenness, and ‘refusing to study or work.’ The report also mentions particularly bad previous cases, such as stealing state property, breaking into apartments, organizing gangs, escaping from a colony, and rape.[3]

In contrast, the report about the 11 girls waiting in the Pushkin priemnik for their place in a colony shows most interest in their sexual behaviour, which is vividly described. The girls would either roam around at night or had left home to stay with some guy. The men in question are named as shady people, foreigners (in one case Swedish tourists), soldiers, delinquent people, ‘unknown’ men, people from the Jazz scene – covering every possible stereotype of a bad match for ‘good Soviet girls.’ According to the report, most of the girls were either skipping school, misbehaving or drinking and smoking. Five of them lived in a boarding school, two were students, four had dropped out or were between jobs. Their families (often single parents) are mostly described as drinkers, as leading ‘an amoral lifestyle,’ or as mentally ill.

The report emphasizes cases in which girls exerted a bad influence on their environment, either literally by catching (and potentially spreading) venereal diseases – two of them had been hospitalized for gonorrhoea – or more metaphorically by ‘having amoral conversations in her boarding school’s dorm,’ and ‘tainting’ the other girls at her school. Another common feature is the failure of other agencies to influence or re-educate them, be it schools, factory ‘collectives’, the Komsomol, the police or house committees.

Only one of the girls committed an actual crime; aside from all of her deviant acts, she committed a rather grim act of cruelty against animals.[4] Although the boys and

388px-Young_Women_1964_Moscow
Young women walking through Revolution Square, Moscow, 1964 (image courtesy of CREEES, UVA, via Wikimedia Commons)

girls found themselves in similar institutions and came from similar social(ly destitute) backgrounds, they are convicted for very different offenses and could hardly have been described more differently.

Another such case demonstrating the gendered notions of deviance is the conviction of a 14-year-old girl to a reform colony for leading an ‘amoral life style’, which included running away from school and petty theft. The Latvian prosecution chose to protest against this conviction, as the story behind it is rather tragic, and the girl was not known for misbehaving. A 20-year-old man had (illegally!) started a relationship with this girl and was terrorizing her emotionally. When her schoolmaster found out that the girl was sexually active, he persuaded her mother to send her to a boarding school. The man continued pursuing the girl and threatened to break up with her if she did not come to see him at once.

Scared, she ran away from school, stole some clothes to wear, and went to meet him. She was picked up by the militsiia (police) and brought back to school, where the headmaster chose to put her in ‘quarantine’ for three weeks and then had her sent to a colony, bullying her mother into agreeing to this. At the time of the prosecution’s protest, the girl was stuck in a priemnik, awaiting transfer. The prosecutor demanded for her to be sent back, and for the security forces to charge the guy who had abused and pressured her instead, as seemingly no one had thought of this before. The commission in charge followed that recommendation, although this came quite late for the girl: the trail of documents suggests that between the decision to send her to a colony and its reversal a whole year had passed.[5]

The tendency to blame girls for having sex even goes as far as influencing the outcome of rape trials. In the 1960s in Latvia, a rapist was charged but not arrested, because the victim had been a ‘promiscuous’ girl – which is a gross, but sadly familiar, trivialisation of rape.[6] In a discussion about juvenile crime among senior Latvian education, health, and juvenile justice officials, a law scholar considers rape a serious problem amongst minors. He inexplicably links it to the phenomenon of uneducated single mothers, somehow implying that it is the father’s job in a family to tell his sons not to rape anyone, or that such basic moral ground rules require a certain level of schooling. To explain the status of rape among such youngsters, the scholar evokes the case of three boys being tried for raping a 26-year-old. Towards the end of the trial, one of the accused admitted that he actually did not take part in the crime, but asked the court ‘not to tell anyone because it would embarrass him in front of his friends.’[7]

These examples bear witness to an underlying culture of criminalizing female but not male sexuality, and of victim blaming in the case of rape – a culture so widespread and unquestioned that not to rape a girl could apparently be cause for embarrassment.

Mirjam Galley is a third-year PhD student in Sheffield’s History Department. Her doctoral research deals with children in care in the Soviet Union after Stalin’s death in 1953, exploring both how the Soviet leadership sought to ‘form’ children in institutions into productive workers, and how children coped in these institutions. Her research interests include cultural history, especially the history of everyday life, of violence, and of marginalised groups. She is one of the co-founders of the Sheffield Modern International History Group. You can reach her on Twitter @M_E_Galley.

References

[1] Susan Reid, ‘Building Utopia in the Back Yard. Housing Administration, Participatory Government and the Cultivation of Socialist Community,’ in Karl Schlögel (ed.), Mastering Russian Spaces: Raum und Raumbewältigung als Probleme der russischen Geschichte (Munich, 2011), (149-186), pp. 171-172.

[2] Deborah Field, Private Life and Communist Morality in Khrushchev’s Russia (New York, 2007), p. 22.

[3] GARF, f. A385, op. 26, del. 203, ll. 126-133. (1962)

[4] GARF, f. A385, op. 26, del. 203, ll. 119-125. (1962)

[5] LVA, f. 270, ap. 3, lie. 1982, pp. 7-8. (1963)

[6] LVA, f. 270, ap. 3, lie. 2283, (86-115), p. 100. (1964)

[7] LVA, f. 270, ap. 3, lie. 2283, (86-115), p. 100-101. (1964)

 

Full Image Attributions

Image 1: By CREEES.UVA (Own work) [CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0)%5D, via Wikimedia Commons

Image 2: By CREEES.UVA (Own work) [CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0)%5D, via Wikimedia Commons

The Institutionalization of Injustice: The Emperor’s New Clothes?

By Sagar Deva

Despite unspeakable horrors that were routinely carried out against indigenous populations across the globe during the Colonial era, it was rare for colonisers to present their repression of native peoples in anything other than morally positive language. The justification for withholding basic rights from native populations was couched in the language of civilisation, where the native and ‘coloured’ populations were portrayed as insufficiently civilised, and too subhuman to enjoy the basic human rights and dignity that were the prerogative of the white, Christian man.

The coloniser, cloaked in righteous whiteness was divinely ordained to rule over the lesser peoples for their own good, his authority shrouded in benevolence and wisdom. In this way, the rapacious exploitation of entire peoples and nations could be portrayed as a glorious and noble endeavour to ‘elevate’ repressed people closer to the level of the white man through forcible processes of ‘civilisation.’

After the end of the Second World War and the global movement towards self-determination, colonial powers which had previously possessed vast empires were no longer able to directly exploit other nations through the use of military force and direct rule. However, this did not mean that the factors which initially drove these nations to colonise vast swathes of the globe disappeared overnight. Unrestrained greed and a ruthless economic mentality were still prevalent amongst many important states, and were particularly apparent within the emerging global presence of the USA, which had rapidly emerged as the worlds dominant power.

In addition, racial and cultural attitudes which perceived white, western civilisation as fundamentally superior to civilisations in the developing world had not entirely disappeared and were still prevalent amongst certain governments and populations within this dominant diaspora.

Nonetheless, the fact that powerful states could no longer dominate other nations militarily necessitated innovative solutions for entrenching their hegemony in the international system. Military multipolarity, and particularly the existence of nuclear weapons, had substantially reduced the ability of powerful states to impose their authority on the global order. A new approach was thus required to impose the authority of developed, northern powers on the autonomy of developing countries in the Global South and to ensure maximum dominance within the international system.

To this end, the core international economic constitutions were created, which comprised of the GATT (which later became the World Trade Organisation) and the ‘Bretton Woods’ institutions, which included the World Bank and International Monetary Fund (IMF). Ostensibly, the purpose of these organisations was to provide a fairer economic playing field by promoting ‘free trade’ and opening up markets to ‘fair competition’, as well as, in the case of the IMF, providing emergency loans to countries with questionable liquidity to ensure the financial stability of the international system.

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The ‘Gold Room’ at Bretton Woods, where the establishment of the World Bank and IMF was first agreed. Source: Wikimedia Commons

Much of the rhetoric of the US led coalition who were key in the creation of these organisations has been distinctly utopian, referring to the ‘egalitarian’ nature of a global free market and consistently emphasising the supposed ‘fairness’ of the organisation. Thus, the rhetoric and language used by dominant powers has sought to normalize the intensive process of market liberalization engendered by these organisations by positing them as an objective normative good and promoting them as the only way in which ‘good’ global governance might be achieved, a process which will supposedly benefit the entire global system.

However, this attempt to normalize, even constitutionalise, practices of intense, global, market liberalization has in many ways, simply been a way to entrench the economic hegemony of the developed world over the underdeveloped South. In a world where power is increasingly expressed economically rather than militarily, powerful states and associated multinational corporations have utilised the rhetoric of market liberalization and free trade to exert control over other states and entities to the benefit of themselves and the detriment of others.

Many examples of this paradigm exist but two immediately spring to mind. The first of them refers to the process of ‘structural adjustment’ practiced by the IMF, an organisation dominated by powerful developed countries as voting power is directly tied to fiscal contribution.  Structural adjustment was a process whereby IMF loans were only given to countries if they reformed their markets according to IMF guidelines, which invariably demanded as a key condition market liberalization.

These conditions included opening markets to foreign competition and the creation of ‘fiscal discipline’, particularly with regard to reducing government spending on welfare budgets. This strategy was particularly used in the Latin American Debt Crisis of the 1980’s.

However, the only beneficiaries of these processes were multinational corporations, almost invariably based in the developed world, which now had access to enormous new markets. The effects of structural adjustment on Latin American economies were disastrous, lowering real GDP substantially, creating mass unemployment and driving many local, previously government protected businesses into bankruptcy in favour of multinational corporations backed by powerful developed countries. Despite this disaster, the IMF and World Bank continued to utilise slightly amended processes of structural adjustment well after the end of this crisis, often resulting in substantial damage to the host nation.

A second example of where dominant economic powers have sought to normalize unfair trade practices with potentially damaging and dangerous consequences was in the creation of the Agreement on Trade Related Aspect of Intellectual Property Rights’ or TRIPS agreement. This agreement allows for the almost universal enforcement of global intellectual property rights over almost all products including medicines. Under the guise of ‘free trade’ and ‘fairness’, TRIPS has been accused of creating ‘artificial scarcity’ for important medical products by preventing domestic producers from producing generic drugs.

As a result of this, the price of multiple necessary and lifesaving drugs has been increased considerably, with developing countries highlighting the unfairness of the agreement as well the potential loss of life caused by unaffordable medicines. Once again, the key beneficiaries of this agreement were powerful multinational pharmaceutical countries who possessed enormous lobbying power within dominant developed states.

In the past, colonial powers used the language of racial, cultural, or civilizational superiority to justify dominance and exploitation over other, less powerful nations. Nowadays, powerful states instead seek to normalize their dominance through the language of market liberalisation and free trade which unfairly advantage them over less developed states, allowing for their exploitation. Instead of simply accepting the dominant narrative of the global economic institutions, it is instead imperative to understand the impact that such language can have on imposing injustice and disparity in the world today.

Sagar Deva is a doctoral candidate in the University of Sheffield Department of Law. His research focuses on the relationship between international legal theory and global politics.

Economic apologies for Francoist repression, 1937 and 2017

During a research trip to Madrid in April this year, a Spanish friend poked fun at my MA research on Nationalist propagandists in Seville during the Civil War (1936-1939). ‘In Spain,’ he said, ‘the Second Republic [1931-1939] and everything that comes after is still practically journalism’.

His tongue-in-cheek comment referred to what Helen Graham has called Spain’s ‘memory wars’.[i] During the transition to democracy following Franco’s death in 1975, Spanish politicians of all stripes preferred to engage in a ‘pact of forgetting’ or ‘pact of silence’ rather than to pursue a collective reckoning with the crimes of Francoism. Subsequent moves towards such a reckoning have been viewed with suspicion if not outright hostility by some on the Spanish right. The result is that the historical meaning of the Second Republic, the Civil War and the Franco dictatorship is still intensely and very publicly contested.

This summer again saw ‘historical memory’ dominate the headlines, courtesy of the revelation in July that the Fundación Nacional Francisco Franco – an organisation whose ‘primary objective is to promote the memory and works’ of the dictator, to quote its Twitter profile – had been managing visits to the Pazo de Meirás, formerly Franco’s summer residence in his native region of Galicia. The house is owned by the dictator’s descendants but has been designated a ‘site of cultural interest’, obliging the owners to accommodate public visits on at least four days per month.

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The Pazo de Meirás. (Source: Wikimedia Commons)

If the controversy caused by this revelation was not enough, on 31 July the Fundación stated that managing the visits would be ‘an excellent opportunity to show the general public the greatness of … Franco’. These comments in turn led to a fractious interview with the Fundación’s spokesman Jaime Alonso on Thursday 3 August’s edition of the current affairs talk show Al Rojo Vivo. (Excerpts from the interview can be viewed here and here, and includes violent footage).

While Alonso’s bizarre claim that ‘Franco didn’t shoot people’ – based on the specious reasoning that he merely acceded to death sentences passed by the courts—[ii] is refuted by a large and ever-growing body of historical research,[iii] another point which caught my attention was his challenge to the presenter, Cristina Pardo. Alonso demanded of the presenter, ‘Who instituted social security? Who created the public health service? Who … industrialised the country? and made state pensions and paid holidays possible?’

It is not uncommon for Franco’s apologists to make such arguments. A very limited welfare state did exist in Spain before the outbreak of the Civil War, but it is true that – as throughout Western Europe – this expanded somewhat during the decades following the Second World War. None of this is to say that a liberal-democratic regime in Spain would not have presided over economic prosperity and expanded welfare provision, a point which those making arguments similar to Alonso’s conveniently tend to overlook.

Although my MA dissertation did not address the post-war era to which Alonso was referring, this use of social policy and economic prosperity to obscure or minimise the use of terror and physical repression was only too familiar. Nationalist propagandists in Seville often used these themes in apparent attempts to appeal to the city’s generally left-leaning workers. These attempts were, however, so deeply inscribed with the logic of terror and authoritarianism that it is often difficult to separate them.

One of the major social-policy initiatives in Seville at the time was the construction of affordable homes, intended especially for the families of Nationalist soldiers killed or wounded at the front, or families with numerous children and only modest means to support them. These projects allowed Nationalist propagandists to claim to be helping working-class sevillanos, yet the provision of affordable housing specifically to these two groups also shows how social provisions cannot be neatly separated from the authorities’ ideological concerns.

The local Nationalist commander, General Gonzalo Queipo de Llano, opined that ‘hygienic housing’ would allow workers to ‘fulfil their duties as citizens and as patriots’.[iv] These duties, as defined by Franco’s supporters, implied a stark loss of political agency. Paternalistic social policy pursued, by different means, similar aims to physical repression: the demobilisation of political opposition, and the definition of an apolitical class identity through which Spanish workers could be integrated into the nascent regime in a subordinate position.

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General Gonzalo Quiepo de Llano (Source: Wikimedia Commons)

Another policy which the Nationalist authorities in Seville used to appeal to the interests of the city’s workers was imposition of price controls on staple foods. Regulating food markets in this way was, of course, a sensible wartime policy. Yet Nationalist propagandists – including Queipo, in his infamous radio broadcasts – repeatedly asserted that this was indicative of the alleged ‘normality’ of life in the Nationalist zone, which protected ordinary Spaniards’ access to food and general prosperity. The frequent publication in the local press of lists of business owners fined for violating these controls was not only a deterrent to others who may be tempted to do the same; they were also intended to demonstrate that the authorities were taking action to defend Seville’s workers.[v]

Of course, stable food prices were only one aspect of Nationalist ‘normality’ which affected working-class Spaniards’ lives. One of the key measures through which the military rebels hoped to impose their vision of economic ‘normality’ at the start of the conflict was an ‘absolute prohibition’ on strike action. Unlike price-hiking merchants, the leaders of striking unions would not be liable for a fine; they could expect to be condemned to death by a summary court martial.[vi] Although Nationalist propagandists during the Civil War claimed – disingenuously –[vii] that their management of the economy prevented working-class sevillanos from being negatively affected by the economic costs of war, this disparity in punishment is demonstrative of how measures such as price controls functioned within a wider discursive framework in which ‘normality’ meant brutal and often deadly repression for many of these workers.

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‘Happiness of wheat, hope for tomorrow’. The Nationalist press often carried stories purporting to show that food was abundant under Franco. F.E., 18/7/1937 (special edition), n.p Held at the Hemeroteca Municipal de Madrid.

These are just two examples of wartime propaganda which pursued the same goal as Alonso’s comments on Al Rojo Vivo: to justify Francoism in terms of the economic wellbeing of Spain and its people. Yet economic and social policy in Civil-War Seville was comprehensively intertwined with the repressive discourse and practices which underpinned the birth of Franco’s dictatorship. This should not be forgotten, whether in reference to the Civil War or to later Francoism.

Joel Baker is a first-year PhD student at the University of Sheffield’s Department of History. His research is funded by the White Rose College of the Arts and Humanities, and examines social housing and infrastructure projects under Spain’s Primo de Rivera dictatorship (1923-1930) as expressions of the regime’s ‘anti-political’ populism. You can find him on Twitter at @joelrbaker.

References:

[i] Helen Graham, ‘Coming to Terms with the Past: Spain’s Memory Wars’, History Today 54.5 (2004), pp. 29-31.

[ii] In the immediate post-war period, these were often summary courts martial which tried and found guilty multiple defendants on flimsy evidence in proceedings sometimes lasting mere minutes. Defence lawyers were usually junior military officers who were given little time to prepare by their superiors, who sat as judges. See Peter Anderson, The Francoist Military Trials: Terror and Complicity, 1939-1945 (London, 2010); ‘In the Interests of Justice? Grass-Roots Prosecution and Collaboration in Francoist Military Trials, 1939-1945’, Contemporary European History 18.1 (2009), pp.25-44; ‘Singling Out Victims: Denunciation and Collusion in Post-Civil War Francoist Repression in Spain, 1939-1945’, European History Quarterly 39 (2009), pp. 7-26.

[iii] For a relatively recent synthesis of this research, see Paul Preston, The Spanish Holocaust: Inquisition and Extermination in Twentieth-Century Spain (London, 2012).

[iv] F.E., 16/3/1937, p. 11.

[v] See, e.g., F.E., 1/2/1938, p. 6.

[vi] See Queipo de Llano’s bando de guerra (declaration of martial law) of 18 July 1936. Auditoría de Guerra de la Segunda División Orgánica y del Ejército del Sur, Bandos y órdenes dictados por el Excmo. Sr. D. Gonzalo Queipo de Llano y Sierra, General Jefe de la 2.a División Orgánica y del Ejército del Sur (Seville, 1937), pp. 5-6.

[vii] In fact, ordinary citizens throughout Spain saw their living standards decline drastically during the Civil War as a result of ‘economic repression’, and during the 1940s because the regime’s rationing and autarky policies forced many to accept inflated black-market prices for staple goods in order to survive. See Miguel Ángel del Arco Blanco, ‘Hunger and the Consolidation of the Francoist Regime (1939-1951), European History Quarterly 40.3 (2010), pp. 458-483; Hambre de Siglos: Mundo rural y apoyos sociales del franquismo en Andalucía oriental, 1936-1951 (Granada, 2007); Rúben Serém, A Laboratory of Terror. Conspiracy, Coup d’ état and Civil War in Seville, 1936-1939: History and Myth in Francoist Spain (Brighton / Portland / Toronto, 2017), pp. 147-189.